#Ti dime trap artwork full
That’s what makes the show so special.” With largely positive reviews of Dime Trap occupying most of his headspace at the moment, T.I.’s also quick to note “it doesn’t matter which record I pull from, in the constant quest to be dope, I always want my new shit to be the dope shit.”įor T.I., Dime Trap represents the completion of a full circle. Speaking to the benefits of his brand of trap music being transgenerational, the performer noted “ go crazy for different songs at different times for different reasons. But with younger acts such as Rae Sremmurd, Big Sean, and Migos also on the roster Tip’s set list has to appeal to varying sorts of fans who regularly attend Vegas’ foremost destination for hip-hop. currently has a residency at Drai’s, alongside other artists with classic catalogs such as 50 Cent, Snoop Dogg, and Lil Wayne.
The bar at the nightclub’s underground after hours lounge is an appropriate setting for this sort of conversation.
#Ti dime trap artwork archive
Rounding out his discography with Dime Trap, Tip recently spoke to Complex before a performance at Drai’s Nightclub in Las Vegas about his latest project, his career, and his impressive archive of anthems detailing his experience rising through Atlanta’s unique ecosystem of rappers and playmakers. the undisputed title of “King of the South” early on in his career, and afforded the rapper enough cache to claim trap music as a sound of his own creation ( with argument from only a few). Five platinum selling albums, countless multi-platinum selling singles, and adoration from both critics and fans earned T.I. In 1999, detailing his own impact on pop culture, Hov rapped he “made 'em relate to your struggle, told 'em 'bout your hustle / Went on MTV with durags, I made them love you.”Ī similar sentiment could describe the way T.I., who Pharrell Williams once called “the JAY-Z of the South,” embodied and thus spread the gospel of trap music. Having reinvented himself fewer times, sold more records, and maintained a higher quality of post-prison product than any other trap artist of his era, Tip Harris remains trap music’s most captivating legacy act.Ĭombining respected lyricism with hometown legend and a worldwide reach, T.I.’s legacy as a mainstream spokesman for the trap is more comparable to that of JAY-Z’s than any of his Atlanta contemporaries. is next in line to enjoy the spoils of his legacy-a decade and a half after coining a simple phrase and subsequently popularizing one of hip-hop’s much younger subgenres. Recently celebrating the 15th anniversary of his second studio album, Trap Muzik, along with the release of his tenth studio album, Dime Trap, T.I.
That sort of just due seems like a natural result of longevity. As the genre approaches its fifth decade-after having been considered a fad in its infancy-many of its legends are aging not only gracefully, but with commercial and critical acclaim commensurate with their achievements. With a calendar comprised of reunion tours and golden era anniversaries, the past few years have been mostly celebratory for hip-hop.